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Johnette Napolitano, 2002
 

This is an article compiled from two interviews with Johnette, in February and April 2002. It consists of the expanded interview and, at the bottom, a series of breakouts.

Free, again

Not even the arrest of their drummer can stop the good times from rolling for a reformed and rejuvenated Concrete Blonde

``I'm sitting at home drinking tequila talking to Australia – it doesn't get much better than this,'' says Concrete Blonde lead singer Johnette Napolitano from her home in Hollywood.
Her band has reformed, they're touring to sellout gigs around the US, she's comfy in her skin ... you can see where she's coming from.
"It's a miracle we're all still alive and able to do this. We've all had our shit," she says of the reunion. "If you'd asked me if this would be happening back in May last year, I would have said `no way'. Now I'm really looking forward to the future. One thing someone said to me a long time ago was that the future takes care of itself.''
Not even the loss of drummer Harry Rushakoff has shaken her confidence in the band's resurrection after an eight-year absence.
``Harry's in jail,'' she says. ``We knew it was going to happen sometime, but nothing's going to stop us from playing.''
There is a bright side to Harry's unexplained incarceration - replacement drummer Gabriel Ramirez, of Mexican rock outfit Maria Fatal, joining Napolitano and guitarist Jim Mankey on tour.
``Gabriel is a great guy and a scary-ass drummer. Jim and I have produced Maria Fatal so it wasn't a matter of who, it was just a matter if he would say yes.
"He's from Mexico City, he's kicking our asses into making a new record. I need to be making it for a reason, I don't want to do what I just did, I want a musical statement, something to say.
"You've got to push up a level, to grow artistically. We've been asking ourselves, 'What do you think? Where do we fit in? What do we do?' We are who we are. You don't just jump on a trend. That's embarrassing.
``Gabriel is a huge breath of fresh air, getting us to try our old stuff. It's all new to him. Jim and I have reached all the way back.''
That `old stuff' harks back to 1982, when the band landed a record contract and changed their name from Dream 6 to Concrete Blonde (at the suggestion of then labelmate Michael Stipe, of REM). They released five albums, scoring their first gold in Australia with Bloodletting powered by the single Joey.
"I can still remember (Mushroom records supremo) Michael Gudinski in the water taxi on Sydney Harbour," Napolitano says with a throaty chuckle. "Mushroom worked hard for us, harder than anyone at the time. Your first gold is a special moment."
They called it quits in 1994 with Mexican Moon.
Napolitano has had plenty on her plate since, including touring with The Heads, an album with Holly Vincent, her own band Pretty & Twisted, a joint album with Mankey and Los Illegals, an unreleased solo album and furthering her art career. Then last year, the wheels fell off.
``I was flipping out in May 2001. I had this paralysing sense of fear, doom, death, bombs dropping. There were a few friends I could trust who wouldn't think I was insane. I found myself knocking on Jim's door at three in the morning with a Bible in my hand. I knew something bad was gonna happen.
``He got me to a shrink and she said there's some things we can't explain, and I respect her for that. I've seen it myself.''
Once she had caught up with Mankey, it seemed right to also contact Rushakoff.
``We got Harry out of rehab and had lunch. There wasn't a big distance between having lunch and picking up our instruments and playing.
``We just started to jam.''
The resultant album, the aptly titled Group Therapy, was recorded in 10 days in August.
``It all happened very fast, we hadn't planned it, we didn't have a label. We had no high expectations, we were just happy to play.
``We'd produced an album for Maria Fatal in 10 days. I loved the energy, of being on the edge, a knife to the back sort of feeling. I don't know if the engineers liked it.''
The terrorist attack on the US in September fulfilled Napolitano's premonitions, as reflected in Group Therapy's most aggressive track, Violence.
``In this country there's a huge awareness – we've been shaken out of a lethargic state – that you can't plan things, you've got to trust life.
``I was up when the plane hit the towers, working through jet lag. And I knew that was what it was all about.
``I learned a lot from my friends with AIDS about how to live gracefully and well. ``Some people have kids, I'm going to leave a record behind. I want those who listen to it to know who I was, how I felt.
``Our time is short, this is an opportunity to make a statement.''
That statement is made loud and clear on Group Therapy, particularly the deeply personal When I Was A Fool.
The album also reflects her admiration for Roxy Music, whose Paul Thompson played drums for the group, and her love for Mexico, where she has a house. ``I've got a jeep, I can throw my dogs in the back and be at the Mexican border in three hours.
"There's no way you can live in LA and not have Mexico permeate your soul. I'm affected by the culture and people, it's home to me."
One thing that comes across, both on the album and in conversation, is that Napolitano is happy with life at the moment.
"I'm over the doubts of youth, the thought that the world doesn't need another rock band. I know people who do good things, you wonder if you're doing something valuable. Then I heard from a New York fireman; he's a fan, all he wants to do is come see the show and have a drink and that really kicked my arse. We're letting the firemen in free in New York. It made me realise what we do can be very, very valuable.
"I'm more relaxed, maybe more confident – the confidence you get with age. When you're younger you wonder `am I good enough?'. Well if I'm not good now I never will be. I just do what I do, and I suppose I must be good at it. I'm having a good time, just happy to be alive. This is the year I've lived for, all my life."

Napolitano on:

On tequila, mentioned in several of her songs, and art:
"Tequila is hallucinogenic. I've never done a DUI, unlike the president. I don't do drugs, I don't even smoke pot any more. I feel healthy. "I'm an artist. I gave my TV away when 911 came on and filled my head with shit. I want to create healing feelings. "I hate all these unimportant concerns, `do I have enough?' I don't have a cell phone. I don't care. I love to be free enough not to question myself. I'm responsible for myself, no one else. If I feel like picking up a brush I don't have to say to myself, `you shouldn't be painting at two in the afternoon and drinking. If I want to get up at 5am and watch a movie and have a glass of wine, I can; I can go back to bed later. "Since I was nine years old I wanted to be an artist. I couldn't have one without the other (music and art). "I remember when I was five drawing and really digging it. At preschool all the kids were crying but I was looking around at all the crayons and pencils, going `mum, see ya later'. "It's not something I do arbitrarily. I want to put on a really good show each year, with a strong statement. "I've found some amazing clay in Mexico. I've got a specific idea with this clay, it will take me a year.

On Leonard Cohen:
"We covered Cohen for a soundtrack (Everybody Knows) and now I'm real into him. I'd love to open for him. His new album (Ten New Songs) is great."

On Roxy Music, an ode to whom is the first single off Group Therapy:
"Roxy is just great, amazing. Paul Thompson swore up and down they'd never get together, it's so beautiful that they did.
"I wondered if Bryan Ferry's experience on a falling jet had inspired the move. Maybe I'm just naive, Maybe they did do it just for money."

On Sound of a Woman, her unreleased solo album which scores a namecheck on Group Therapy:
"I'm putting the vibe out, it's on the middle burner, off the back burner, and hopefully might end up on the front burner. I've got a very big stove.
"I put a lot into that record. The company wasn't stable, I didn't want the record to fail. They were very good to me, it was my choice to pull it. I didn't work for a while after that."

On their tour of Australia:
"We only have one week in Australia but it's going to be a hell of a week.
"The set for down there is well thought out, there's something for everyone, something from every album.
"They'll be able to go home and say they heard something from their favourite album."
For Napolitano, it's all about giving the fans their money's worth.
" I can't believe how much tickets cost, the cost of going out. I don't go out myself, it's too much hassle. People can walk away saying 'I'm really glad I went.'
"I love Leonard Cohen's Everybody Knows, the Vampire Song is easy and fun, everyone sings along. Joey was a big hit, I feel people are there to hear it."

On their support act in Australia, Victor Martinez and The Martinez Brothers, Steve Wynn and flamenco:
"I wanted something not standard, I didn't want it to be just a rock show. I wanted something textured.
"We had flamenco for the first leg of the US tour, then Steve Wynn on acoustic. We were with Steve doing When You Smile and Ship Song, songs we recorded with him but never had the chance to perform together. It was great.
"For the tour I wanted something you don't expect. If you have three courses all the same, you'll probably be tired of it by the third course.
"Six acoustic guitars appealed to me so much, there should be a lot of energy, it should be happy.
"I love acoustic, it's a nice change, you don't need a crew, electricity, a big deal. It's very gypsy. I've been getting a lot of acoustic in flamenco lately. You can play flamenco in a field of grape pickers and make incredible music.
"I hardly listen to rock n roll and never on the road, I need a contrast – some flamenco or Deep Forest.
"Flamenco can just bring a tear to my eye, thinking of the generations of gypsy persecution. Flamenco is such a tradition."

On Australian group The Avalanches:
"The Avalanches, now there's some Aussies who know what they're doing."

On her goddaughter (of Fiona Maynard of Invivo) in Melbourne:
"The last time I was in Australia it was to visit my goddaughter, Juanita, about two-and-a-half years ago. I didn't play, it was just to see people. I brought her an antique doll, I've got for her this trip too."

On Dream 6 drummer Michael Murphy:
"The last I heard of Michael he was doing the Deconstruction album with Dave Navarro. I think he just does what he wants. He's got a daughter."

On the 2+2 CDs being sold at gigs:
"The discs are two songs my Jim and me, they're different from a CB record, experimental and fun.
"It's a lot of fun, I get to do all the artwork and put out a couple of new songs every couple of months.
"They're limited editions. If people buy them, that's great, they can collect them, swap them or whatever. I don't know what the rules are in Australia, I'll have to find out about bringing them in for sale. I think they're pretty strict about that."

On her last tour of Australia:
"Someone stole my coat in Melbourne. I don't know why they'd do that. I don't have a lot but I wore that coat everyday. I'd like it back, no questions asked."

Click here for a review of Johnette's Sketchbook #2



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